![]() ![]() What’s the smallest tip you’ve ever left at a restaurant?Ħ9. Do you still have feelings for any of your exes?Ħ8. Have you ever had a crush on a coworker?Ħ7. Would you break up with your partner for $1 million?Ħ6. Describe the weirdest thing you’ve ever done while inebriated.Ħ5. What’s the longest you’ve gone without brushing your teeth?Ħ3. Have you ever stolen something from work?Ħ0. What celebrity do you think is overrated?ĥ9. What’s the most embarrassing text in your phone right now?ĥ7. What’s your biggest pet peeve about the person to your left?ĥ5. What is your greatest fear in a relationship?ĥ4. ![]() Which of your family members annoys you the most and why?ĥ3. Be honest: Do you have a favorite child?ĥ2. What’s the longest you’ve gone without showering?ĥ1. What’s your most embarrassing late night purchase?Ĥ8. If you had to delete one app from your phone, which one would it be?Ĥ7. Have you ever picked your nose in public?Ĥ6. What is the youngest age partner you’d date?Ĥ4. How many gossip blogs do you read a day?Ĥ3. What’s the weirdest thing you’ve done on a plane?Ĥ2. What app do you waste the most time on?Ĥ0. What’s the cheapest gift you’ve ever gotten for someone else?ģ9. If you were guaranteed to never get caught, who on Earth would you murder?ģ8. What’s the weirdest place you’ve ever grown hair?ģ7. Have you ever considered cheating on a partner?ģ6. Where do most of your embarrassing odors come from?ģ2. How do you really feel about the Twilight saga?ģ1. When’s the last time you apologized? What for?ģ0. What’s your most embarrassing grooming habit?Ģ9. What’s one movie you’re embarrassed to admit you enjoy?Ģ8. Do you believe in any superstitions? If so, which ones?Ģ7. ![]() Would you date your high school crush today?Ģ6. How many times a week do you wear the same pants?Ģ4. Meatloaf says he’d do anything for love, but he won’t do “that.” What’s your “that?”Ģ3. Have you ever faked sick to get out of a party?Ģ0. What do your favorite pajamas look like?ġ9. What’s something you love to do with your friends that you’d never do in front of your partner?ġ8. What’s the meanest thing you’ve ever said about someone else?ġ6. What’s the craziest thing you’ve done in front of a mirror?ġ5. What’s one thing you’d do if you knew there no consequences?ġ4. What’s the meanest thing you’ve ever said to someone else?ġ3. If you could write anyone on Earth in for President of the United States, who would it be and why?ġ1. If you met a genie, what would your three wishes be?ġ0. What’s the craziest thing you’ve done on public transportation?ĩ. What bridges are you glad that you burned?Ĩ. What’s been your most physically painful experience?ħ. Name someone you’ve pretended to like but actually couldn’t stand.Ħ. Have you ever accidentally hit something (or someone!) with your car?Ĥ. What was the most embarrassing thing you’ve ever done on a date?ģ. This examination of the BUF's cultural production and cultural responses to the movement invites us to problematize the easy dichotomy between left-wing modernism and extreme-right anti-modernism, and to ponder whether the BUF represented political innovation despite political failure.If you don’t know your fellow players well enough to ask something super-specific about them or their lives, we’ve compiled a hefty list of the 250 best truth or dare questions and dares that will get everyone talking (and sometimes blushing, laughing or cringing) at your next party, even if it’s a virtual one. His meetings rivalled the cinema, and his followers were figured as 'fans'. Mosley was described as a dog track promoter, a pantomime character and a swashbuckling movie star. Instead, the BUF seemed to represent a merger between a politics of provocation and the new lexicon of cinema and celebrity, a protean movement that blurred the lines between high politics and popular culture. The movement was clearly not to be understood only as the next phase in the history of party formation, and thus the language of high politics was either inappropriate or insufficient to conceptualize the movement. Critical discourses about British fascism appropriated the language of popular culture to describe and understand the phenomenon of the BUF. It seeks to place the BUF within its own national and metropolitan context by adopting an approach informed by cultural history to extremist politics in the 1930s. This article offers a reassessment of British fascist politics during the 1930s by shifting the empirical focus away from area studies and investigations of policy and ideology to the reading of the movement's visual culture, its relations with the media, and its development of a distinctive material culture and innovative political technologies. ![]()
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